Resurrection of Ra’s al Ghul Reading Order: The Complete Guide for The Battle for the Heir

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When Grant Morrison started writing his celebrated seven-year run on Batman, his first major contribution to the lore was the introduction of Damian Wayne, son of Bruce Wayne and Talia Al Ghul. He didn’t take long for DC Comics to put the boy at the center of a crossover event leading to The Resurrection of Ra’s al Ghul!

The Ghul family made a big comeback, as dangerous as ever, and young Damian is to play a key role in bringing his grandfather fully back from the dead. But he is not easily controlled and will not just bend the knee when he has another side of the family ready to fight for him. Well, maybe not that ready, but Batman’s sons will never let someone die if they can save them.

As the whole story spans across Batman, Detective Comics, Nightwing, and Robin, this is not a storyline entirely written by Grant Morrison. Peter Milligan, Paul Dini, Fabian Nicieza, and Keith Champagne also wrote one or more chapters, with artists Tony S. Daniel, Ryan Benjamin, Freddie Williams II, Don Kramer, David López, David Baldeón, and Derec Donovan.


  1. Historical Context
  2. A Short Review
  3. Collecting the Resurrection of Ra’s al Ghul in 2026
  4. Full Reading Order
  5. After the Event

1. The Resurrection Event: The Hunt for a Host

Ra’s al Ghul had been “dead” since the events of Death and the Maidens, a 2004 limited series by Greg Rucka and Klaus Janson. He was believed dead for good, but nothing can keep the Demon from coming back. Except for one thing: he needs a host. His body is gone, and he needs a new one. One genetically compatible host that can tolerate his spirit without rapidly deteriorating. He needs the body of a family member. That’s why his grandson, Damian Wayne, was engineered.

Once Ra’s has taken over Damian’s body, the boy will simply cease to exist. But Damian is not one to go without a fight, and he needs to get his father’s help if he wants to survive. If someone can stop the leader of the League of Assassins, it’s Batman.

Batman and his family (Nightwing, Robin, and Alfred) are not the only ones working to stop Ra’s. It’s also a fight to get control of the League. Old allies are fomenting a coup to stop the resurrection, while Talia is stuck between her father and her son.


Key Historical Elements:

  • The Trial of the Heir: This event is the first time Damian Wayne is forced to reject his mother’s world. It marks his transition from a “weapon” of the League to a member of the Bat-Family.
  • The Batman Legacy: One of Morrison’s themes during his run is the legacy of the bat. This event ties into it by having Damian, Tim, and Dick all forced to deal with the ideological choices their father, adopted or biological, made.
  • The Tim Drake/Damian Rivalry: The crossover leaned heavily into the friction between the current Robin (Tim) and the blood-son (Damian), a conflict that would define the next five years of Bat-history.
  • Tim’s grief: Tim has lost family and friends. The event deals with the effect that accumulating so many losses has on him, as Ra’s may have the key to bring everyone back. Tim has to fight to move on.
  • The Immortal Return: It successfully reestablishes Ra’s al Ghul as a high-level adversary. It also set up a new fragmented power structure in the League of Assassins.
  • The International Scope: Grant Morrison’s run developed the international scope of Batman’s operation, and the event played with that concept, steering the action away from Gotham to Nanda Parbat.

2. A Short Review: The Demon’s Mid-Life Crisis

The Resurrection of Ra’s al Ghul is not a big crossover event, with seven core issues. There is nothing to set aside, as every chapter moves the story forward. Despite that, this one feels to me disjointed at times, with Batman on one side and his sons on the other.

For Tim Drake, I think it offers solid developments, and Nightwing plays a strong role as the big brother, providing action and moral support. Damian is still much of a free agent, but eventually shows he can make good choices when the moment arises. And Batman in all of this? He mostly follows his own path. He may trust his sons to do the work, but the way the event is structured isolates the Dark Knight on a narrative level, making the event unfocused.

In Batman by Grant Morrison Omnibus Volume 1, only the Batman issues are collected, with the addition of two pages to explain what happened. If you really are only into the Bat, it’s almost enough, and this highlights for me how the whole story fails as a crossover event. There was not much to support this narrative structure. I would not say it’s bad, as it’s full of action, and it moves at a good pace, but I think it lacked a cohesive vision to make it feel truly epic. As it is, it’s a bit unremarkable.


3. Collecting the Resurrection of Ra’s al Ghul in 2026

While you can find the Batman tie-in issues in Batman by Grant Morrison Omnibus Vol. 1, the only way to read the full event is to get the trade paperback dedicated to the event, and it is reprinted in 2026.


Batman #671 by Tony S. Daniel

4. The Complete Reading Order

This crossover is strictly chronological. Unlike bigger and more editorially ambitious events, the tie-ins are all adding to the main plot. I recommend not skipping any of them.

Before reading the Resurrection of Ra’s al Ghul, you need to be up-to-date on Batman, Damian, and Tim’s situation. Read the trade paperback Batman and Son (collects Batman #655-658 and #663-666)

The Prologue

Batman #670 is the one you must not skip, but the two annuals add context. If you are not familiar with Ra’s Al Ghul, Batman Annual #26 will catch you up.

  • Batman Annual #26: Talia recounts Ra’s Al Ghul’s life to Damian to prepare him for a ritual organised by her father’s right-hand man, White Ghost. By Peter Milligan.
  • Robin Vol. 4 Annual #7: On the island of Cheung Chau, Damian is drugged and wakes up in a cemetery full of ghosts. By Keith Champagne.
  • Batman #670 (Prelude): A war to control the league takes shape as Ra’s Al Ghul comes back to life. By Grant Morrison.

The Main Crossover

  1. Robin #168: Part 1 – Damian is on the run, destination: The Bat Cave. By Peter Milligan.
  2. Nightwing #138: Part 2 – Nightwing joins the fight to save Damian. By Fabian Nicieza.
  3. Detective Comics #838: Part 3 – Batman and Talia are on their way to Ra’s Al Ghul’s hideout. By Paul Dini.
  4. Batman #671: Part 4 – To save his sons, Batman makes a deal. By Grant Morrison.
  5. Robin #169: Part 5 – Tim is contemplating a way to bring back the dead. By Peter Milligan.
  6. Nightwing #139: Part 6 – Dick has to fight to save Tim. By Fabian Nicieza.
  7. Detective Comics #839: Part 7 – In Nanda Parbat, time for the last battle. By Paul Dini.

The Epilogue

  • Detective Comics #840: What happened to Ra’s after his last fight against Batman, revealing his new status quo. By Paul Dini.

5. After the Resurrection: Where to Go Next?

Once the event came to an end, and Paul Dini delivered his epilogue in Detective Comics #840, Nightwing dealt with Talia in his own series, in Nightwing #140-146 (collected in Nightwing by Peter J. Tomasi).

As for Batman, he has to deal with another menace:

  • The Black Glove: Follow the mystery of the “Club of Heroes” and the secret organization targeting Batman’s sanity.
  • More on that in my Complete Grant Morrison Batman Reading Order (coming soon!).

📂 The Next Case: Batman R.I.P.

If Resurrection of Ra’s al Ghul was a battle for Batman’s legacy, the next case is a battle for his very mind. In Batman R.I.P., we see what happens when the “Black Casebook” finally catches up to the Dark Knight…

Follow the road to the Batman R.I.P. Reading Order (Coming Soon)

More Files from the Casebook

  • The Man of Tomorrow, Reborn: A Deep Dive into John Byrne’s Superman (1986-1988)

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    In the mid-1980s, Superman was in trouble. Decades of ‘Silver Age’ excess, such as super-dogs, pocket dimensions, and limitless powers, had made the Man of Steel feel both invincible and rather out of touch with the times. Following the universe-shaking ‘Crisis on Infinite Earths’, DC Comics did the unthinkable and recruited Marvel superstar John Byrne to rewrite Superman’s mythology.

    The result was a fundamental shift in perception that still influences how we view Clark Kent today. Whether you are an avid collector or a new reader exploring these issues in digital archives, Byrne’s work remains the definitive ‘modern’ starting point.

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  • Is John Byrne’s Superman Still Good? A 2026 Retrospective Review

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    In 1986, John Byrne undertook the challenging project of reimagining Superman as a relatable contemporary figure. This involved making some controversial decisions. He abandoned the optimism of the Silver Age in favour of a more psychologically grounded interpretation, shaped by the cultural logic of the 1980s. It was criticized by some for being Superman for adults. Four decades later, does it still resonate, or was it purely a product of its time?

    While later interpretations have emphasized Superman as a near-mythical ‘space god’, Byrne’s work is the most notable ‘human-first’ reimagining of the character. It established the modern Lex Luthor and a proactive, credible Lois Lane, but it also led to a Superman who violated his own moral code in a conclusion that remains controversial. Whether regarded as a necessary modernization or a fundamental misreading of the character, Byrne’s influence continues to shape virtually every screen adaptation of Superman.

    Although I have read DC Comics for decades, I was never particularly interested in Superman. To broaden my understanding of the character, I approached this landmark series from a contemporary perspective. So, in this review, we’re looking past the nostalgia.

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  • DC Comics History: Following the Dark Road of the Modern Age

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    It’s never easy to pinpoint the exact beginning and end of an era in the history of comics. The conclusion of the Bronze Age and the start of the Modern Age is no exception. It was a transition that occurred as much on the pages of the comics as in the shops, the convergence of multiple publishing efforts and editorial decisions that changed the way comics were sold and read, but also the stories they were allowed to tell.

    Dark, British, Violent, and Paperbacks, it’s 1980s DC Comics

    The key change that occurred in the comic book industry that DC Comics quickly embraced was the emergence of the Direct Market. Consumers were not buying their comics in the newsstands, they started going to comic book shops instead. Also, the old readers were going nowhere and wanted more mature books.

    DC President Jenette Kahn looked for new ways to develop the DC Comics brand with new lines, unexpected licensing deals, and by recruiting emerging talents and allowing them to make their mark. That’s how Frank Miller came and made Ronin, then pushed DC into its dark era with The Dark Knight Returns. This violent story about an old Batman coming back to fight crime in an alternative politicized future was a comic book for adults, an instant success that started to change the creative direction of the company, but also its economic model. It was the book that incited the creation of the DC line of paperbacks, making it available long after its original publication.

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  • Millennium (1988) Reading Order: No man escapes the Manhunters during this Weekly Crossover event

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    Following the line-wide restructuring initiated by Crisis on Infinite Earths and the subsequent relaunch momentum of Legends, DC Comics introduced Millennium as its next major crossover event. I’m sure readers today may feel the use of the word “major” as an overstatement and, in the overall history of the DC Comics universe, I would certainly concur. Nevertheless, as a publishing initiative, this one was ambitious for the time. Published as an eight-issue weekly limited series between January and February 1988, the project represented one of DC’s most coordinated line-wide efforts of the decade, with extensive crossover chapters running through 45 issues of DC’s ongoing titles.

    Written by Steve Englehart and illustrated primarily by Joe Staton, Millennium centered on the Guardians of the Universe and the revelation that the ancient robotic Manhunters had secretly infiltrated Earth for centuries. The event introduced the “Millennium Week” banner across DC’s publishing line, with individual issues revealing long-standing supporting characters as sleeper agents, an approach that reoriented the DC Universe toward themes of distrust, conspiracy, and institutional corruption.

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  • The Ultimate John Byrne Superman Reading Order (1986-1988)

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    John Byrne’s run on Superman wasn’t just limited to one book. It was a “Triangle Era” precursor where stories flowed between Superman, Action Comics, and Adventures of Superman (written by Marv Wolfman, but essential for context).

    Here is the ultimate contextual reading order.

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  • Flashpoint Reading Order: The End of The Post-Crisis era

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    As the massive crossover event Crisis on Infinite Earths did in 1985-1986, Flashpoint put an end to another major era of the DC Universe continuity in 2011: The Modern Age. The kind of events comic book companies always teased, but rarely delivered, the ones that really changed everything.

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    It’s not just another event to file in the DC Casebook, it’s the one that closed the book on the Post-Crisis era (1986-2011). Published as a five-issue limited series in 2011, it paved the way for the line-wide reboot known as the New 52.

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